For the first time in the Movement Research Performance Journal's history, readers will be able to search through the entire catalog—from Issue #1 (1990) to our latest issue. With the “+ Add to collection” feature, you can add individual articles to your account's personalized collections and export them as PDF readers in their original layout. To get the full benefit of the collection feature, subscribe for access to the entire archive.
See our plansI want to talk about writing, from the perspective of someone who has gradually been changing from someone who does mostly dancing and choreographing and a little writing to someone...
A couple years ago, I was teaching a technique class in Athens, Greece, bringing my usual mix of youthful vigor and sorrowful limitation due to age. At one point I...
I like a structure that holds a piece together but also pulls it apart. If the fabric of the piece is woven so tightly that there are no holes, a...
In 1960 Robert Dunn was playing piano for classes at several dance studios, including Merce Cunningham's, and he was studying music theory with John Cage at The New School for...
Cathy Weis and I were dance majors at Bennington College in the ‘60s. I remember the pieces she made there—epic, sprawling fantasies that refused to be housed in the theater....
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