Issue #47

It’d be unusual for ALL of the artists and cultural practitioners represented in these pages to be in a room together (read: it does not happen). Does this point to a kind of factionalism in our experimental performance community? Does it point to the era of late capitalism’s control of our choices—we do not have time for each other, we must make activity, money and careers? How does it relate to the everyday digital theater of social media’s hyper sharing? What happens when we gather through printed texts (never to appear digitally) as opposed to actual bodies and institutions in space and time…

This points to the choreographic possibilities of print publication.

—Moriah